Keep this quiet: Wednesday is International Noise Awareness Day

April 28 is the 15th annual International Noise Awareness Day, an event promoting awareness of the dangers of long-term exposure to noise.  Founded by the Center for Hearing and Communication (a not-for-profit organization established in New York in 1910), the event aims to raise awareness of the impacts of noise on day-to-day life worldwide.

As part of the event, the public is encouraged to observe a “Quiet Diet” — 60 uninterrupted seconds without noise from 2:15 to 2:16 p.m. this Wednesday.

Most New Yorkers are all too familiar with excessive noise and its impacts on hearing, health, stress, and learning. This year’s event has already garnered some local press, and we hope that greater awareness of noise leads to a “quiet diet” that the city can enjoy more than once a year.

Who is Emily Howell?

This article may have sparked my interest because we share a name but nonetheless it is interesting.  Whether you love her or hate her, Emily Howell is composing music in a whole new way.  Miller-McCune recently highlighted her work along with David Cope in their article Triumph of the Cyborg Composer.  Have a listen…

Emily Howell – Track 1

Emily Howell – Track 2

Emily Howell has a musical conversation that includes “words” (white nodes) and the connections between them.

Emily Howell Composition

Miller McCune

Sample the sounds of the city

British artist Stanza has published a growing database of urban soundscape samples (his Soundcities project) into a Google Map, allowing the user to sample the sounds of  world cities—including New York City.  The online, open-source database also allows users to contribute their own samples, and to freely use and mix samples from the database for their own projects.

In his introduction, the artist states that “Cities all have specific identities, and found sound can give us clues to the people that inhabit these spaces, as well as provoking us and stimulating our senses in a musical way.”

Projects like this (see also a similar project by the BBC) allow us to explore what a Chicago street has in common with an avenue in Tokyo, or to compare the quiet (or lack thereof) in New York’s Central Park to that at Skansen Kronan in Gothenburg.

What is still lacking is decibel noise level data for each sample, allowing a direct comparison of loudness.  This sort of calibration would be the only way to prove that one city is louder than the next—although, in the meantime, our money is on New York.

[PSFK via Curbed]

International Green Construction Code open for comment

Public version 1.0 of the new International Green Construction Code (IgCC) was released this week by the International Code Council (ICC), opening the new model code document to public comments through mid-May.  Like other ICC codes, the IgCC is intended to be adopted into law by municipalities who want a robust, vetted basis for local building regulations—and this time, one with energy efficiency, sustainability, and environmental quality at its core.

According to the ICC, this new “green” code is intended to supplement or “overlay” the existing family of ICC codes, including the International Building Code that was adopted as law (with many local edits) by New York City in 2008.  The IgCC is also meant to be adopted as law, unlike voluntary green certifications like the U.S. Green Building Council’s LEED system.

In the name of indoor environmental quality, this public draft of the IgCC contains a much broader set of acoustical requirements than the base International Building Code.  We hope this section attracts some productive public comments in the coming months, since good acoustics are critical to environmental quality.

Tiny ears, big concern

As professional listeners, acousticians are trained in the dangers of noise-induced hearing loss, which is both cumulative over the years and basically irreversible.  Still, nearly anyone with ears understands that loud noise is bad for hearing, and has probably felt the after-effects of noise exposure after a rock concert or a night out.  But what about people too young to understand, or to recognize the physical sensations caused by overexposure?

This week, the New York Times examines the need to protect babies and young children from overexposure to noise.  Noise that is uncomfortable to an adult can be physically damaging to a child, whose smaller ears receive sound pressure with greater impact and sensitivity.  Protecting young ears usually requires earmuff-style protectors, since earplugs are ill-fitted to small ears (not to mention a choking hazard).

The article overlooks the danger of noise exposure from mass transit (including the hometown New York City Subway).  Subway noise levels at the platform can exceed 100 decibels near a curved track or express train—a level that will damage even adult hearing with frequent exposure.  Parents that frequently use the subway with their children should take steps to protect them from noise, since even slight hearing damage as a child will be carried for a lifetime.

Noise-reducing city canyons

After a nearly two-year editorial process, we are happy to announce that we’ve recently published a technical paper in the peer-reviewed acoustics journal Applied Acoustics.  Performed in cooperation with our acoustic colleagues at Chalmers University of Technology in Sweden, the research explores what happens to noise as it travels over the city canyons formed by streets and backyards between rows of buildings—such as those common in New York City.

Although the details are rather technical, the bottom line is that these canyons reduce noise—so the more street canyons between you and that noisy highway, and the wider these canyons are, the quieter the noise will become.

This field of acoustics research helps to improve the acoustic models that acousticians and city planners use to predict noise.  Implemented in software, these models can map out how traffic and new development will impact the soundscape of a property, a neighborhood, or even an entire city.